I have at least one of nearly every model of Nikon film camera made. The most conspicuous absence is the FM3a, just because I refuse to pay current prices for one.
I enjoy photography as a hobby. My two main cameras are a Nikon D800 and D810 pairing. Lenses are very situation dependent, but a common combo for me is the 24-70mm f/2.8G on the D810 and the 14-24mm f/2.8 on the D800. Both of those lenses are big and heavy, so in particular I've been known to sub a 24-120mm f/4 for a "normal" zoom. I also have a cheap plasticy 10-20mm Nikon meant for DX cameras, but which works great as an FX lens at 14mm and longer. It weighs nothing, so it sometimes goes in the bag. I'm not a stranger to prime fun either, and have a handful that I'll sometimes pack either as stand-alone lenses or to supplement a zoom kit. Unfortunately, Nikon has neglected a lot of their non-exotic primes, and in many cases the zooms covering those FL ranges are better than the primes. It's a shame because all the magic that makes zooms so good now could make primes even better. That aside, I love my Df as a little lightweight camera that also works with everything(really, nearly every F mount lens Nikon has ever made aside from invasive fisheyes) and have been known to use that with nothing but the little lightweight 35mm f/2D.
I have three primary 35mm cameras I use these days. When I'm shooting digital and want something that plays nice with modern lenses, the F6 is the obvious choice. The F100 is nearly as good, but I have the F6 and might as well use it plus there are some things it does that the F100 doesn't. I have a whole lot of Nikon F2s, which is one of my favorite cameras ever, but my favorite of all my F2s is an F2sb(uncommon meter prism with a silicon cell and the same +/0/- LEDs like the F2AS, but works with non-AI lenses). The "one lens kit" for that is the 35mm f/1.4. I also will take that out with a prime kit that's usually something like 20mm f/4, 35mm f/1.4, 105mm f/2.5, and 200mm f/4. I will play with that line up as I have manual focus/AI lenses ranging from the 16mm f/2.8 fisheye on out to the 300mm f/4.5. At several points in there, I have lenses of multiple speeds, as often times the slower lenses are better but the faster lenses sure can help with 50 or 100 speed slide film. I also often carry an FM2n as a second as a second body for B&W film.
For serious business with film, though, I have a Hasselblad 500c and a Pentax 67. I like both, but they are very different cameras. The Hasselblad is a joy to use and very nimble. Of course the Zeiss lenses are legendary. The Pentax is a monster of a camera that in some ways handles like what it looks like-an overgrown 35mm SLR-but in other ways is not particular fun to hand hold. The 105mm f/2.4 for the Pentax is legendary in its own right and gives a rendering I can't duplicate with anything else.
I use my phone camera a lot, and for a lot of situations it's fine. Still, though, I like the control I can get from a "real" camera.
