Originally Posted By: Win
Well, real audio snob looks down their nose at anything other than directly heated triodes run single ended; sorry if you have to look that up. 6BQ5's are the VW Beetle of the audio world - I have dozens of 'em, maybe more, NOS, in my warehouse of junk.
You're right on that. I went through the SET phase a number of years ago. They can be an tremendous amount of fun, as they are an easy circuit, but the speaker matching issues with them . . . Not that a 6BQ5 is a mountain of power. But it's clean and musical for what it is, especially in certain makes. The WE cult was not for me. Hope you get more out of it.
I now get more enjoyment working with the vintage era classics. Super iron in some. Some of them were voiced to perfection. The biggest problem is catching them before the estates curb them.
Klipsches do have a similar love/hate thing going. I think the older Heritage models (and their oiler x-over caps) connected to bottles is what they do best, just as PWK first designed them. They really need a warmer system to sound right. Some of the newer ones, especially when mated to the wrong SS amps, can get harsh, though. Once PWK retired, the family took it elsewhere. A Tannoy can be more relaxed, but they are rather costly.
With Thiels, it's the opposite. But Jim Thiel gets more respect in the high-rent circles than PWK. Very different roads taken. Both first-class designers.
Oh sorry . . . getting too technical. Details tend to annoy some of the natives here.
Well, real audio snob looks down their nose at anything other than directly heated triodes run single ended; sorry if you have to look that up. 6BQ5's are the VW Beetle of the audio world - I have dozens of 'em, maybe more, NOS, in my warehouse of junk.
You're right on that. I went through the SET phase a number of years ago. They can be an tremendous amount of fun, as they are an easy circuit, but the speaker matching issues with them . . . Not that a 6BQ5 is a mountain of power. But it's clean and musical for what it is, especially in certain makes. The WE cult was not for me. Hope you get more out of it.
I now get more enjoyment working with the vintage era classics. Super iron in some. Some of them were voiced to perfection. The biggest problem is catching them before the estates curb them.
Klipsches do have a similar love/hate thing going. I think the older Heritage models (and their oiler x-over caps) connected to bottles is what they do best, just as PWK first designed them. They really need a warmer system to sound right. Some of the newer ones, especially when mated to the wrong SS amps, can get harsh, though. Once PWK retired, the family took it elsewhere. A Tannoy can be more relaxed, but they are rather costly.
With Thiels, it's the opposite. But Jim Thiel gets more respect in the high-rent circles than PWK. Very different roads taken. Both first-class designers.
Oh sorry . . . getting too technical. Details tend to annoy some of the natives here.